Refenestration Daily.
I recently saw Daybreakers, the new vampire film starring Ethan Hawke and Willem Dafoe. I’ve uploaded a review with some thoughts. Short version: I rather liked it.
Review: Daybreakers from Alex Bischoff on Vimeo.
If or when Vimeo adds captioning support, I’ll add captions too. They haven’ t yet. [sad trombone]
Star Wars Uncut is a project in which they’ve cut up Star Wars into 472 fifteen-second scene; from there, people can claim a scene, reenact it, and then at the end, they’ll all be stitched back together. This sounded like fun, so my friend Bryan and I claimed Scene 222 and reenacted it with a few friends.
The original scene is available on the Star Wars Uncut site and I’ve embedded our version of the scene below:
I’ve also cut together some of the behind-the-scenes footage from when we were filming the scene:
Some friends and I went to the Dallas Stars game last Friday. I hadn’t been to a hockey game in a couple years and so I was rather looking forward to it. Plus, I had brought my camera along to see if I could get some shots.
It didn’t take long for me to realize that hockey can be deceptively tricky to photograph. On one hand, it’s somewhat dark inside the arena, but at the same time, longer shutter speeds can more easily blur the action. The general solution, I suppose, is just to use higher ISO settings. (I went to ISO 400, myself, but in retrospect, probably should have bumped that up to ISO 640 or even ISO 800.)
What may be the most squirrely bit about photographing hockey, though, is that the ice is really white and it can throw off one’s exposure. Most cameras judge exposure by trying to ensure that each shot has an average overall brightness of medium gray. What ends up happening in this case is that the camera sees the white ice and thinks that the shot is overexposed; so, the camera lowers exposure until the ice is back to a medium gray (which, of course, actually means that the ice is now underexposed).
To counteract these types of exposure issues, I ended up adjusting my camera’s exposure compensation to +2/3 stop; that pretty much took care of it. The shot that you see above is a panorama made from ten shots stitched together. If it helps put its dimensions in perspective, if you consider that a widescreen HDTV is 16:9, this image would be around 20:9.
My friend Brad Graham has passed away, seemingly of natural causes. I heard about it this afternoon and I made an effort not to cry at work, but now that I’m at home, I’m not doing a very good job of holding things back.
I knew Brad from SXSW. Some people like to use the cliche that “so-and-so was the nicest person you’ve ever met”, but Brad really was the nicest person you’ve ever met. Whether you may have known him for five minutes or five years, but he’d treat you like a friend that he had known for ages.
Goodbye, Brad.
I visited my family in December and it was great seeing all of them. I hadn’t seen my brother over Thanksgiving (as he’s been living in South Africa) and it was especially good seeing him again since it had been a while since he and I last had a chance to hang out.
I grew up in Pittsburgh and it’s been several years since my parents moved to Charlotte, but I'm still getting used to the weather there (in a good way). Usually when I’d visit them in December it'd be pretty cold in Pittsburgh, with snow more often than not. In Charlotte—at least for this most recent trip—we had a few days with highs in the 50s. Rather pleasant, that.
Photo-wise, I’ve posted a baker’s dozen shots (not that I was aiming for that number—it just worked out that way). (Bonus trivia: Apparently, a baker’s dozen is also known as a Roughrider’s dozen. Who knew?) I brought along one of my new flash toys for the trip, Lumiquest's Quik Bounce reflector. What’s nice about the Quik Bounce is that it can either be configured to send all light forward or it can be configured to send 80% upward (for bouncing off the ceiling) and 20% forward.
As it would happen, my parents’ family room has vaulted ceilings (while the kitchen has normal-height ceilings) and so a flash reflector/diffuser that relied upon one or the other wouldn't have really worked for me. (For instance, if I hypothetically had a Lumiquest 80-20—which is hard-coded to always send 80% upward and 80% forward—I would have been up a creek in the family room since the upward-sent light would dissipate before having a chance to bounce off the ceiling.)
With the exception of the on-the-trolley shots (like this one) and the ice-skating shots (like this one) I used a flash—predominantly fill-flash—on all the other shots in the set. Overall, I’m fairly pleased with how the Quik Bounce performed. I can see myself using the Quik Bounce again, and if anything, the one thing I’d consider changing—and this doesn’t really have anything to do with Lumiquest—might be to try setting up off-camera strobes for some of the shots. Maybe next time.