DFWBlogs Cocktail Event: October

This month’s DFWBlogs cocktail event was at Mike’s Treehouse. Though their URL is fairly straightforward (MikesTreehouse.com), it took me a little bit to find it. I generally search Google for this kind of thing, just in case the restaurant have a goofy URL such as MikesTreehouseDallas.com.

As it turns out, their website is the third hit on Google for “Mike’s Treehouse” and I’m not terribly surprised — the only link on the splash page is JavaScript-based, so search engines are only able to see the splash page itself.

Looking up their address in MapQuest, it was only about two miles down Greenville from my apartment. In my head, lower Greenville seemed like more than two miles from here and I was hoping that’d be the case (since parking is such a hassle in that area of Greenville). As I drove there, I soon realized that it was in lower Greenville after all; fortunately, Mike’s had its own parking lot.

As I walked inside, I found our group right away (near the entrance). And, after a few more people arrived, we moved to the “rooftop” seating area. And while I looked over the menu, I ordered a Dos Eqis. It arrived shortly (with a lime, natch), but in a cheap plastic cup. That surprised me, actually — the vodka-and-cranberry that someone else ordered arrived in a proper glass, but the beer was served in a plastic cup (go figure).

Quite a few items on the menu tempted me. A club sandwich is always a good bet and it’s not every day that you see a blackened tuna sandwich. But, I was in the mood to try one of their burgers.

In contrast to their online menu (which lists several burger variations), the printed menu included just the Build You Own Burger for $5.95 (with any combination of toppings). There were about ten toppings to choose from and I selected a few easily (tomatos, pickles, ketchup, mayo). I would have selected a cheese as well, but none of their cheeses interested me (just American, Jack, and perhaps a third cheese).

Bacon was also on the list and I hesitated at first — but I then realized that the burger would cost the same with or without the bacon. So, I had nothing to lose and added that to my list as well. I also had to choose between waffle fries and onion rings; as I’m not much of an onion-ring person, I defaulted to the waffle fries. Satisfied with my choices, I placed the order (which our waitress took to memory without having to write it down).

The food arrived soon and I started with the fries. With a dash of pepper, they were great — hot & moist and still somewhat flexible. These days, it seems that many restaurants don’t put an effort into their fries, but these were some of the best I’ve had in a while.

The burger itself was also good. The bun was a bit boring and white-bready, but that’s nothing out of the ordinary. And, as a whole, the burger worked out very well. The warm and crumbly beef was arranged in a pleasantly thick patty — some restaurants shape their half-pound burgers as just a huge flat patty, sticking out the sides of the bun, but that helps no one.

And, as a welcome surprise, the bacon was above par. I find that most bacon used on burgers tends to taste as if it was cooked earlier in the day and only added onto the burger at the last moment (which is likely the case). But with this burger from Mike’s, the bacon was tasty and crispy (not the usual soggy bacon-wannabes that often end up on hamburgers). So, I was especially glad that I didn’t hold back on the bacon among my toppings.

The food at Mike’s was better than I expected. And, the wait staff was fairly attentive. But, I’m still not sure if I’d go there again. The plastic cup didn't even have the pretense of keeping my beer cold and I’m still wary about the parking situation in lower Greenville (sure, Mike’s had its own lot but what options would I have if that filled up?).

Francesc de Paula Soler Recital

I went to the Soler guitar recital on Saturday at the SMU Meadows Museum. It was a free concert and it was just held in one of the longer exhibition halls — the staff set up some chairs and the surrounding art gave a pleasant ambience to the recital.

I arrived at the museum around 2:30pm in order to ensure that I could get a good seat. Sure enough, I was able to get a second-row seat. And, with no one sitting in front of me, I had a clear view to the performer. The concert was scheduled to start at 3pm and it nearly did.

As 3:00 rolled around, there were a few introductory words by the organizers, including an introduction by the museum’s curator. At least, I’m guessing that it was an introduction — he spoke entirely in Spanish. I later read in the program that the concert was in commemoration of National Day of Spain, which explained both the Spanish introduction and the many Spanish-speakers in attendance.

After the introduction, Soler strolled in and took his seat. His seating arrangement was rather modest — his chair was the same as the audience chairs and his only peripheral was an angled foot-rest. After tuning his guitar, he began his set (all of which were by Spanish and South American artists).

I’ve always enjoyed classical guitar and Soler’s Spanish guitar was particularly pleasant. I was probably no more than three meters from him and I was able to appreciate his guitar technique as much as the music itself. In such a beautiful environment, the music seemed to just flow around me.

Most of my experience to classical guitar has been through CDs. So, I’m not sure if this is atypical, but Soler didn’t use a guitar pick but rather strummed the strings with his fingertips. More than that, Soler also used his guitar for percussive accompaniment — from time to time, he tapped and thumped on his guitar with the fingers and palm of his right hand. Impressively, he occasionally continued playing pizzicato with his left hand while adding the beat with his right hand.

The recital lasted about and hour and a half and Soler added about three encores after successive rounds of applause from the audience. After the show, he walked off stage to pack up his guitar (which really meant that he walked to an adjacent room in the gallery since there wasn’t actually a stage in the first place).

He seemed approachable and so I walked up to him and introduced myself. I didn’t want to take too much of his time, but I expressed to him how much I enjoyed his recital. He smiled graciously and thanked me for my comments (I’m not really sure if he spoke that much English).

In all, this was just what I needed for a Saturday afternoon. And, the price (which was free) was hard to beat. On my way out, there was a table setup selling some of his CDs and guitar tablature books. Considering that I paid him nothing for the concert, I was only too pleased to buy one of his CDs (if you’d like to hear a track, I’d be happy to send you an Ogg or MP3).

PlainsCapital Relaunch

My most recent freelance work was as lead developer for PlainsCapital’s relaunch of its site and subsidiary sites (PlainsCapital Bank, PlainsCapital Insurance, and others). Formerly PNBFinancial, the company decided to redesign its sites as part of its company-wide rebranding.

The sites launched last week and its standards-compliant layout includes valid XHTML 1.1 and CSS (just CSS for layout). I’ve also added a section to my portfolio which explains several of the CSS techniques used throughout the site.

Angle-Grinder Man

The New York Times reports on the UK’s newest superhero: Angle-Grinder Man. In short, Angle Grinder Man is an Englishman who was fed up with the wheel-boots employed by the parking authorities. So, he decided to apply some street justice through missions of removing motorists’ boots by force:

Long-haired and lanky, he is becoming well known in some parts of south London. About a month ago, 25-year-old Petite Tendai arrived home to find a boot on her illegally parked car. (“There were no signs saying ‘no parking,’ ” she declared.) She had barely begun to rail at the injustice of it all when Angle-Grinder Man suddenly appeared.

“Basically, he jumped out of his car in his outfit and said, ‘If anyone can, Angle-Grinder Man can,’ ” Ms. Tendai said in a telephone interview. “Then he just started sawing it off. It was wicked.” He was gone almost as quickly as he came. “It was just a ‘good luck,’ and what-not, and then he was off,” she said. […]

In many ways, he appears to have the complete superhero persona — even including gold lamé underpants and a cape. Still, it would be even cooler if he could convince They Might Be Giants to compose a theme song for him ;).

Free Guitar Recital at SMU

Last July, I went to the Meadows Museum at SMU for their Silver Sculptures exhibit. And, at the time, I signed up on their e-mail list for new events.

In their most recent mailing, I learned of a guitar recital on Saturday afternoon:

Guitar Recital
Saturday, October 11th
3:00 p.m.

“From Spain to Latin America” by Francesc de Paula Soler

Experience the Meadows Museum collection of Spanish art accompanied by the melodic, expressive sounds of “The Poet of the Guitar,” Francesc de Paula Soler. Hailed by critics around the world, Soler is considered by many to be the most notable name of the new Spanish guitar. He is currently touring the United States, while preparing his second CD, El Polifeno de Oro, a collection of Spanish music for vihuela and guitar.

Free • Seating is available on a first come, first served basis

I’m a fan of John Williams (the classical guitarist), and I wasn’t sure if this would be similar. But, I talked it over with Josh and he thought I’d enjoy it since Spanish guitar is a subset of classical guitar anyway.

So, I think I’ll try to make it to this. Feel free to join me — I’ll probably aim to get there around 2:30pm in order to ensure that I get a seat.